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Swept Away
Synopsis (by Ron Phelps) Swept Away is an epic Romance about the stormy courtship, eventual marriage, and adventurous honeymoon of a poet from Oklahoma and a young Art History student from California. The main action takes place in San Francisco, Berkeley, on California's Mt. Shasta, and in Texas and Oklahoma. There are formidable obstacles to the passionate fulfillment of these two soulmates: she is engaged to a kind and understanding law student, with a secure and satisfying life before her; she, like her fiance, is urban and Jewish while her truelove is from an Oklahoma redneck background; and she is young and relatively unformed while he is approaching middle age and is becoming set in his ways, dogmatic and ossified- in other words, they belong to incompatible generations. The strategies of love with which these two unlikely lovers break through these barriers make the novel an optimistic affirmation of the supreme power of romantic love. However, as an epic Swept Away is about much more than this, somewhat as with the equally ambitious Romances Anna Karenina, Gone With The Wind, and Doctor Zhivago. The book is also a Social Realist novel that attempts to portray with cinematic detail the dying world of the oil-and-land aristocracy of Texas and Oklahoma, Zen Buddhism in America, the life of clerks in mountaineering equipment stores, the sudden violence of urban streets, and the comradeship of mountaineers and writers and artists. The novel consequently has a varied tapestry of subsidiary characters, from the poet's fiery and uncompromising wealthy mother to the wise old African-American cook to loutish environmentalist-bashing vacationers who end up needing a helicopter rescue on Mt. Shasta to a Jewish Zen Buddhist teacher to the young woman's lively caterer mother to a writer friend of the poet who while snowbound with him in the mountains discusses everything from Coriolanus to wine and women, and many other precisely drawn characters, from African-American store managers to menacing quasi-criminal cowboys. Events in Swept Away include a near-death free-fall down a sheer rock face at Yosemite leading to hospitalization, several scenes of tender and intimate lovemaking, a violent fight with street punks, a detailed account of the colorful atmosphere and suspenseful action at a University of Oklahoma football game, a mountain snowstorm in which the two lovers are almost killed, a painful quarrel and eventual reconciliation between the young woman and her mother- in-law, an elaborate insider's description of a Zen Buddhist communal meditation session, and much more in a restless, ever-active book. Above all, Swept Away is a poetic novel, about love and nature and memory and cosmic spirituality, attempting a visionary style of constant beauty and inwardness to complement the absolute movie-like realism of its action, setting and dialogue. Swept Away includes some of the poet's love poetry to his bride, as well as extended exhilarated passages on the sublime and terrible beauty of Mt. Shasta. Its goal is to be a novel that is always beautiful and at the same time easy to read and entertaining. Because it is a passionate and even obsessive love story, Swept Away should have immediate appeal to all those readers, many of them women, who love a good Romance. But in its epic variety it can also be of interest to nature lovers, enthusiasts of Oriental religion, mountaineers, and readers interested in an exactly observed depiction of many aspects of American society. In addition, its character as a kind of lyric poem, its wealth of journalistic detail, and its strenuous literary ambition may very well earn it critical support and a reputation routinely denied to the average Romance. |

raining into one Tapping softly at my hearing, as if to catch my attention, the rain skitters across the roof and showers down on the fallen leaves. The new grass trembles at its touch but the rain is gentle and insistent. It is a rain of sound, a rain of vision, a wet light quickly washing slate grey shingles into blue, streaking the wood fence and the sycamore tree with fresh water colors, gently rinsing the apple blossoms. A squirrel runs along the narrow fence and shimmies briskly up a pine tree. A fallen branch dangles by its tip from a strong, spackled limb. When the sudden shower is gone: diamonds on every twig and stem. A large circle of cloud turns bright and glows like a hazy moon in the delft sky of the winter afternoon. The petals on the apple tree cry with the joy of a first kiss, held in the arms of the other. As if I were their lover, tears rain down, as though I were the rain itself. the veil Like a jewel in the clasp of a silver crown she sits and centers each breath upon the farthest stretch of her silken gown, knowing not by what is known and not with eyes but by her mind alone-- what flies or walks or comes across her way is drawn only to her, and in a wheel of lace she waits like a saracen blade, balanced in the swing of wind and rain. Each thought here is a thought of silk unfurled and like the sky, goes all the way around her world. In the center of this dome she spins and shines and lives unknown, and dies, as does a wild thing, in a circle of nights and days, an open ring. Beauty and the Beast The older I get the more often young women become nervous when I flirt with them, chanting their boyfriends' names like magic spells to ward me off when all the while like an old bear who doesn't care about the startled deer I am simply enjoying autumn, tasting the berries and breathing in the air. I have already put on enough fat for winter. |
Smoke - for Tsvetaeva Wow me, woo me over the years, across the miles-- You who were so personal and so intense, your mind like a child’s, yet all grown up. Show me again your sad demon’s smile, your lost look your pouting lips the bruised swell of your eyes. O child, ageless child! Kindle the fire from within-- What smoke is this drifting across the century if not the incense of your absurdly personal verse quietly pervading everything as it burns through the years . . . What an all-consumning fire that grows from within like a smouldering flame under a forest floor-- Wow me, woo me over the years, across the miles drifting through the centuries. clouds seeing that there might be a cool September rain, he left the car windows open so that in the night he could run bare footed and shirtless outside to close them, where he would smell the honeysuckle and feel the heat of the concrete drive, the small pain and texture of pebbles and twigs there on his feet and the cold rain beat against his skin before he returned to his sleep. July 1969 the horses ate grass and the creek ran sweet with cold water and pine needles scattered on the rocky sand bottom while we drank from cupped hands great plum-round mouths full of ourselves from the ice streams that crashed through the tetons, taking us with it, our sweet youth gone to the sea. the fox Caught in the lights of midnight cars On dark lawns framed by houses, I disappear like smoke among the scattered stars, a dim shape you almost see passing through the ruins. I feel your eyes watching me while you search your lives for anything as beautiful and free. It is not my fleeting shadow but you who are the ghosts, Gone like the Anasazi. |
This last is not my haiku, but it has new meaning for me each year and I share it with everyone I can each Spring:
dead my hopes,
and dry my fine old dreaming,
but still ... iris, blue each spring.
--Shiki
(I am attributing this, perhaps mistakenly, to Shiki. If anyone
knows the author for certain, please let me know at: Ubik@ziplip.com
-- Thanks)
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